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Annotation of doc/demo/violin/righthand.html, revision 1.1

1.1     ! harris41    1: <html>
        !             2: <head>
        !             3: <title>Right Hand Page</title>
        !             4: </head>
        !             5: <body bgcolor="#ffffff">
        !             6: <table width="100%" border=0 bgcolor="#cccccc" cellpadding=0 cellspacing=0>
        !             7: <tr><td width=3%>&nbsp;</td><td>LON-CAPA demonstration resource.  Some
        !             8: of the information for this resource quotes from and summarizes content in
        !             9: <br /><b>Principles of Violin Playing</b> by Ivan Galamian.
        !            10: Second Edition (1985) Prentice-Hall, Inc. New Jersey </td></tr>
        !            11: </table>
        !            12: <h1>Oak Spring Studios</h1>
        !            13: <h3><font color="#aa5555">Right Hand</font></h3>
        !            14: <p>
        !            15: There are four key characteristics associated with the right hand:
        !            16: </p>
        !            17: <ul>
        !            18: <li>"system of springs"</li>
        !            19: <li>"holding the bow"</li>
        !            20: <li>"physical motions of the arm, hand, and fingers"</li>
        !            21: <li>"drawing a straight stroke"</li>
        !            22: </ul>
        !            23: <p>
        !            24: While the left hand must subscribe to regimen of well-defined form,
        !            25: resiliency and flexibility must be the first priority for operating
        !            26: the right hand.
        !            27: </p>
        !            28: <blockquote>
        !            29: "There has to be this resiliency and springiness in the functioning
        !            30: of the whole arm from shoulder to finger tips or else the tone will
        !            31: be hard and ugly, the bowing clumsy and uncontrolled."
        !            32: </blockquote>
        !            33: <p>
        !            34: The requisite flexibility necessary for the right arm allows
        !            35: for a wide number of options for how the student executes bowing.
        !            36: This can be both a good and bad thing for violin playing.  While
        !            37: the right arm has diverse possibilities for the generation of music,
        !            38: many a student can be found going down blind alleys as the student
        !            39: explores the geometrically complex possibilities.
        !            40: </p>
        !            41: <p>
        !            42: Proper instruction and attention to the right arm is a continuous
        !            43: task that every violinist must pay viligant priority to.
        !            44: </p>
        !            45: </body>
        !            46: </html>
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